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The death of Ophelia in Shakespeare’s play is a perpetual source of speculative exercise, since the tragic fact does not even happen on stage. Her clothes spread wide; And, mermaid-like, awhile they bore her up: La muerte de Ophelia en la obra de Shakespeare es fuente de un perpetuo ejercicio especulativo, pues el hecho luctuoso no sucede en escena.

Cuando Ophelia muere, pasando “de su melodioso canto a su turbia muerte” “from her melodious lay to Muddy death”se convierte en un imposible objeto de deseo.

A young drowned was not a very common subject in mid-nineteenth century paintings. When Ophelia dies, passing “from her melodious lay to Muddy death”, she becomes an impossible object of desire.


los PRERRAFAELITAS by on Prezi

This image symbolizes the ultimate madness, disease of the cerebellum, which is the nucleus of the neurospinal system, the sensations produced by dementia in those organs are transmitted to more sympathetic with it. This allowed the artist to experience the endless possibilities related to the absence of grace and poise.

Millais and Dante Gabriel Rossetti with Ruskin’s writings that defined them as “Modern Painters”, were determined to demonstrate their conception of aesthetics related to ethicsthe defense of man and nature as its original environment before the industry maelstrom.

Prerrafadlitas time she chanted snatches of old tunes; As one incapable of her own distress, Or like a creature native and indued Unto that element: Near Ewen Englandin a backwater of the Hogsmill river lush environment is bright in color.

Una joven ahogada no era muy habitual en los cuadros de mediados del siglo XIX. There John Everett Millais, Pre-Raphaelite painter, painted in Prerrafaslitas and curiously this is not oppressive environment despite witnessing the tragedy.

Eso es Ophelia para Hamlet: The Pre-Raphaelitesassociation founded in by W. There, on the pendent boughs her coronet weeds Clambering to hang, an envious sliver broke; When prerrafaelita her weedy trophies and herself Fell in the weeping brook.


If it coincide in dementia sensation with memory, it’s not memory that determines sensation, this is not a reminder of reality. It is narrated by the mouth of Gertrude, who explains that she has unwittingly fallen into the river and in her delirium has been carried away: That’s Ophelia for Hamlet: In her delirium, Ofelia wanders by a lake, picking flowers, and dies by drowning in the muddy waters.

Las ropas huecas y extendidas la llevaron un rato sobre las aguas, semejante a una sirena, y en tanto iba cantando pedazos de tonadas antiguas, como ignorante de su desgracia, o como criada y nacida en aquel elemento.

Also the poetic image of Ophelia is far from that corresponding to the macabre reality of a drowning.

Such transmission and sympathy purely organic cannot be hidden nor mastered when the dominator of sensations has died: